My latest body of work delves into the emotional and psychological space between what is seen and what is remembered. These black-and-white landscape photographs are intentionally minimal, capturing only tonal fragments of a larger scene. By presenting partial, dark views—often centered around subtle light and expansive negative space—I invite viewers to engage their imagination and memory to complete the picture.

This creative approach transforms each image into a deeply personal and universal experience. Viewers aren’t just observing a place—they’re participating in the act of remembering it—or imagining it. In doing so, my work explores how we experience landscape through emotion, memory, and perception rather than through a literal depiction of place.
— Jonathan